Over this, actress-turned-singer Hikari Mitsushima sings about trying to savor a moment that canРІР‚в„ўt last forever, but sheРІР‚в„ўll try all the same. Producer Shinichi Osawa, better known by his stage name, Mondo Grosso, merged deep house rumbles with twinkling piano and string swells to create a track both cinematic and physical. None of the dominant strains of pop music in the decade appear over the course of its five-minute runtime. РІР‚СљLabyrinthРІР‚Сњ sounded out of place in the 2010s. The track stood out then because of how it approached rap from a new angle, but itРІР‚в„ўs relatable years later because of the mood she conjures. A song like РІР‚СљballoonРІР‚Сњ wrestles with timeless topics like small-town ennui and depression, littered with little details that add to its depth. Then there were РІР‚Сљwhisper rappersРІР‚Сњ like Daoko, Bonjour Suzuki and Izumi Makura, whose softer delivery and focus on daily life in their lyrics offered songs as short stories capturing the ups and downs of the youth of the decade. Pop-friendly creators like Chelmico found room in the mainstream, while fiercer MCs such as Chanmina and Awich traveled in spaces long dominated by men. Women, on the other hand, approached the genre from different angles in the 2010s, and made the work that still connects with todayРІР‚в„ўs youth. The majority of Japanese hip-hop aimed at simply imitating far superior American rappers from the South, with diminishing results. Pretty much all efforts on that front ended at Kohh, a talented but media-shy artist whose peak was guesting on a Frank Ocean song available only in magazine form.

Tastemakers and the now-extinct hypebeasts that roamed the landscape of the 2010s searched endlessly for cool Japanese rap to introduce to the world.

While many songs have enjoyed renewed recognition, the tracks that follow were among the bigger nostalgia hits of the 2040s: The 2010s were a heyday for Japanese music from the 1980s, and the 2040s have cast a similar spotlight on the Japanese music of the 2010s. Entire sub-sections of electronic music tried to re-create the sound of Yasutaka Nakata and the groups he produced, like Perfume, and entire internet micro-genres evolved around faded samples from Japanese pop classics. While it never stole the headlines, J-pop from the decade had a far deeper impact on listeners and creators. Non-Japanese music fans dug into everything from shimmering pop to experimental ambient records and Japanese takes on Hawaiian music. The 2010s saw a similar fascination with older Japanese music. During the 2010s, Japan was defined by kawaii culture and social media, and, after the devastation of the Great East Japan Earthquake, it was, for the most part, a fairly easygoing place to live - especially considering the upheaval taking place in the rest of the world. The newfound excitement surrounding it in the 2040s was partially due to the thrill of discovering the obscure, still some of us were just looking for a good beat from a time we never knew firsthand. Few people outside of the country were documenting the music we enjoyed back then because it appeared totally out of step with broader trends around the world. Japan appeared to have next to no influence on the global music scene during the 2010s. Every generation mines a yesteryear it never knew, and the kids of this decade set their sights on the final years of the Heisei Era (1989-2019).

In the Japan of 2040, what gems do you think will be unearthed and treasured once again?Р”Р„s we hit the halfway point of the 21st century, a celebration of the old and obscure has stood out as one of the most interesting developments of the 2040s. The 2010s are now just as trendy and influential to the youth of the future as the 1980s have been to us. Given how Japanese music takes time to receive widespread recognition, letРІР‚в„ўs imagine ourselves coming to the end of the 2040s.

However, fans discovered and celebrated all things old and obscure about Japanese music, turning minor records from the bubble era into modern online gold. Globally, Japanese pop music didnРІР‚в„ўt earn much attention from abroad. Japanese musicians werenРІР‚в„ўt immune from this nostalgic turn, drawing influence in particular from the 1980s and РІР‚в„ў90s.

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